I often say I'm overwhelmed. I wrote about overwhelm before. Then I kind of forgot about it until a friend was saying I'm overwhelmed.......I once had an insight about that so I went to find my writing about it.....this has lead me into writing this new post about overwhelm.
In the last 2 months I've been doing this brain dance. And by gosh it has helped me begin to see a pattern. More dancing is required to fully unmake it and remake a new habit. As a consequence of doing this wacky flailing of arms dance I see a little more clearly my overwhelm pattern. It is so weird that this dance works. (more about that in future posts)
I say I'm overwhelmed, and it's usually on a day when I feel I need to answer emails, plan dinner, drive 50 miles to do the main grocery shopping, pay bills, and there are a million little care of the home tasks like scooping out the litter box and watering the basil.........
What I'm discovering is that it isn't all that, pardon my wording, *crap* that has me overwhelmed. It is that on some level I've reached a point where I've been avoiding my one big thing. Back when I wrote about overwhelm before - I did not put in any links in my post. Nor did I put in the links to the blogs that originally gave me a clue to this insight. So here is the link love to those bloggers....... Third Hands Works mentioned it and she was referring to Mona Grayson's post about it.
But more about my Big Thing......
I'm a creative dawdler. Living a creative existence is what I feel is my Big Thing. Creative dawdling isn't just the name of my blog - it's what I call all my juicy soul nourishing creative activities......In my years of being a creative dawdler I have developed some habits that maybe are not so useful such as procrastination, drifting, exploring all things creative instead of focusing on just one or two. These habits lead me to a pattern of overwhelm.
Sometimes when I am avoiding/drifiting from my creative life or when there is a lot of external responsibilities happening that I feel the time monsters shouting -No Time! No Time for creative! - I start to go into a frenzy of chores and to dos and say I'm overwhelmed. But really it's a clue that my overwhelm pattern loop is happening. The way out is to go back to my creative dawdling. Even a small step is enough to lessen overwhelm.
Sometimes my creative dawdling has me overwhelmed because I love to do soooooooo many things........just a quick list includes, clay, SoulCollage®, journaling, photography, crochet, astrology, rituals, space arrangement, writing for personal pleasure, writing my blog, assemblage art, beading, reading about any of these topics........there's more....but my point is that when I say I'm overwhelmed in regards to my creative dawdling then it is usually because I'm thinking about all of these and more in a monkey mind jumping around in the studio tree's way. I haven't actually taken a concrete tangible action on a one of them.
The way to disrupt the pattern loop is to just pick something within my Big Thing Domain of Creative Dawdling and act on it. Or finish something that is part way done. In this instance, when I'm overwhelmed in my creative dawdling I have to make myself sit down and take an action. Ignore the mind, tell the critic to go take a break(more about that in a future post) and do one creative thing. I do not even have to worry about what that thing is as long as it is a tangible action and not more thinking about it. I also don't have to worry about the quality of the creative act.....only doing - doing badly, ugly,or beautifully but DOING.
This is where Jen Louden's Conditions of Enoughness comes in handy. This process helps you pick a simple action, do it in a measurable way, making sure it is dependent only on you to do, and when you are done you declare yourself satisfied - even if you do not feel satisfied.
Here is a part of my overwhelm pattern I've noticed.....
When I'm in overwhelm I'm very bad a choosing a simple action. As soon as I try to set a simple condition of enoughness (COE for short) I get more overwhelmed. That is because choosing a COE while in that mind boogling moment of overwhelm doesn't work for me. It is too much thinking and not yet an action. So for me, I have to do a preview action before setting a COE. I have to do something creative and not worry about what it is so I might draw -or scribble -or doodle -or list words. I might crochet. I like to use my hands. That action calms me down. Dance of Shiva (brain dance) also gets me out of thinking and breaks the pattern loop.
Once I've calmed down then I can come up with some COE's that help me further along on my creative dawdling path. They help me lessen overwhelm. The COE's help me move forward with quantity. The brain dance helps me notice the pattern.
It isn't that overwhelm is never going to happen.....but it's nice to have a little clue as to what will shift the pattern and what will help move me out of drifting and procrastination.......
Are you overwhelmed? Ever thought it's not the to do list pressing on you but your one big thing saying attend to me? Whatever, your thing is, I wish you creative blessings.....
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Wednesday, September 29, 2010
Thursday, September 23, 2010
Tuesday, September 21, 2010
Monday, September 20, 2010
Sunday, September 12, 2010
Pizza Night
Friday, August 27, 2010
Action Taken
I came home from the writer's spa, and I was finally able to make a SoulCollage® committee card for the artist. I have been collecting imagery for years. It was time to let the imagery I had on hand come together.
I've known since I first started creating a SoulCollage® deck that I wanted to have a card for my artist self. It's eluded me. In the time I've spent doing SoulCollage®, I've learned for me at least, that those parts of myself that I most consciously identify with are the hardest cards to make. It's like the imagery in ones mind's eye can get stuck in what we are thinking and what we think we already know about ourselves. Sometimes the best cards are created by just allowing the images to speak.

One of the workshops at the writer's spa was a non-art collage process. It was intended to be a way to allow our writing project or our writer self to speak with us through visual images. I was glad I attended the class because the collage I made has spoken to me and continues to speak with me. Each day I gaze upon it and it offers me some inspiration or direction. I'm not quite ready to share it here because I want to stay in an intimate retreat like conversation with it longer before I open up the discussion. It is a way I can remember and pull myself back into that space where retreat and magic happens.
What I can say about the process of making my non-art writer's collage is that it was so rapid and quick that I had to just let the images do all the talking. We didn't have a lengthy amount of time to fuss with it. My mind and words and analysis did not have the chance to get in there and get me stuck. It was more like deciding to let an image sit next to another one.........and to say I resonate with this image and it can go here on the page. I wasn't concerned about anything other than pick an image, find a spot, then glue.
When I sat down at home to dawdle in SoulCollage®, I found myself loose and able to let my artist self speak through the imagery. So I did a similar thing in creating my artist card. I let the images speak as my artist self. Instead of thinking about it I worked in a narrow time frame and let the images find their places.
I also created a council card for The Artist archetype. It seemed like images would find their spot. They picked which card to go on and all I did was cut and glue. Some images I collected did not find their spot on either card, but when I was in this process it was easier to determine - no that image is darling and it belongs on another card or collage. In fact, as I worked I realized there are cards to be made for my play in clay self and my photogragher self too.
.jpg)
I have not taken the time yet to write out fully the SoulCollage® exercise called "I am the one who........" I often hear things as I work on cards and it takes me a long while to get words down on paper because I get distracted. Something I hope to get better at is completing a card all the way through to writing about it.
If I was to write anything here initially about these two cards I would say this-
My artist working committee card says:
The council card The Artist says:
I am feeling a sense of accomplishment and completion to have some artist cards join in my SoulCollage® deck. I am grateful when I can enter this temenos (a sacred play space) where the rational mind takes a break.
Is there anything you do that helps you enter the temenos and give your vigilant mind a rest?
*************************************************************************************
Please note: SoulCollage® cards are not to be sold, traded,or bartered; they are to be reproduced only for the personal use of the maker of the card. SoulCollage® cards may be shared as examples to illustrate the SoulCollage® process, but it is a principle of SoulCollage® that SoulCollage® cards are not for sale, trade, or barter.
Please go to www.soulcollage.com for more information about the process and Seena B. Frost's book SoulCollage.
Last, but certainly not least: Thank you to all the wonderful photographers and artists whose images inspired us to recreate and discover our inner and outer worlds.
I've known since I first started creating a SoulCollage® deck that I wanted to have a card for my artist self. It's eluded me. In the time I've spent doing SoulCollage®, I've learned for me at least, that those parts of myself that I most consciously identify with are the hardest cards to make. It's like the imagery in ones mind's eye can get stuck in what we are thinking and what we think we already know about ourselves. Sometimes the best cards are created by just allowing the images to speak.
Committee card: Artist Working

One of the workshops at the writer's spa was a non-art collage process. It was intended to be a way to allow our writing project or our writer self to speak with us through visual images. I was glad I attended the class because the collage I made has spoken to me and continues to speak with me. Each day I gaze upon it and it offers me some inspiration or direction. I'm not quite ready to share it here because I want to stay in an intimate retreat like conversation with it longer before I open up the discussion. It is a way I can remember and pull myself back into that space where retreat and magic happens.
What I can say about the process of making my non-art writer's collage is that it was so rapid and quick that I had to just let the images do all the talking. We didn't have a lengthy amount of time to fuss with it. My mind and words and analysis did not have the chance to get in there and get me stuck. It was more like deciding to let an image sit next to another one.........and to say I resonate with this image and it can go here on the page. I wasn't concerned about anything other than pick an image, find a spot, then glue.
When I sat down at home to dawdle in SoulCollage®, I found myself loose and able to let my artist self speak through the imagery. So I did a similar thing in creating my artist card. I let the images speak as my artist self. Instead of thinking about it I worked in a narrow time frame and let the images find their places.
I also created a council card for The Artist archetype. It seemed like images would find their spot. They picked which card to go on and all I did was cut and glue. Some images I collected did not find their spot on either card, but when I was in this process it was easier to determine - no that image is darling and it belongs on another card or collage. In fact, as I worked I realized there are cards to be made for my play in clay self and my photogragher self too.
Council Card: The Artist
.jpg)
I have not taken the time yet to write out fully the SoulCollage® exercise called "I am the one who........" I often hear things as I work on cards and it takes me a long while to get words down on paper because I get distracted. Something I hope to get better at is completing a card all the way through to writing about it.
If I was to write anything here initially about these two cards I would say this-
My artist working committee card says:
I am the one who holds her mouth right as she creates. I am the one who focuses her attention on creating. Who grabs hold of her tools and makes a mess. I am the one who explores color and her craft- allows her gaze to flow through her to the paper or the sculpture. I am the one involved in creative dawdling. I am the one who is occupied working on her art projects.
The council card The Artist says:
I am the one who flows inspiration through the makers hands. I am the one behind the urge to create.
I am feeling a sense of accomplishment and completion to have some artist cards join in my SoulCollage® deck. I am grateful when I can enter this temenos (a sacred play space) where the rational mind takes a break.
Is there anything you do that helps you enter the temenos and give your vigilant mind a rest?
*************************************************************************************
Please note: SoulCollage® cards are not to be sold, traded,or bartered; they are to be reproduced only for the personal use of the maker of the card. SoulCollage® cards may be shared as examples to illustrate the SoulCollage® process, but it is a principle of SoulCollage® that SoulCollage® cards are not for sale, trade, or barter.
Please go to www.soulcollage.com for more information about the process and Seena B. Frost's book SoulCollage.
Last, but certainly not least: Thank you to all the wonderful photographers and artists whose images inspired us to recreate and discover our inner and outer worlds.
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